no need to further introductions for chicago legendary artist whose name is paul johnson! bosconi is so much honoured to welcome in the family such a groundbreaking and essential player of house music as he is.
* i like to get down* is an 8 minutes structured stand alone track that has all thenecessary elements, with his charge of funk and explosive radiance, to be your never-outof- .

the-bag summer anthem. god bless you paul…you did it again!

pitched somewhere between the molasses gloop of acid tracks and his more gospel moments, pierre s phantasy club was a vocal project that, without reaching the heights of some of his more momentous wild pitch productions and remixes, still showed his versatility. i ll put the bug in you it ll make you stay, i ll plant it it ll never go away. we believe you, pierre. repressed & remastered for 2015 & featuring all original label artwork, with permission from trax records.

im beat der tanzenden leoparden: erstes album der schweizer world-beat-band seit 2010. pressung auf neon-grünem vinyl.

stratford-raised denai moore signed to london independent label, because music (metronomy, little dragon, django django…) and then ben drew was in touch hed heard a couple of denais songs and wanted to work with her on production, eventually producing the lake ep in 2013 (hes since signed her to his publishing company)

nice price deal !!! hailing from spain, eduardo de la calle has been a prolific dj and house and techno producer since the early nineties who s productions have recently been featuring heavily in boddikas dj sets. with over 100 vinyl releases under his belt on labels including semantica, cadenza and his own imprints (analog solutions, suprwax, edits records) plus many more, eduardo is an underground legend staying true to his analogue production techniques and never following the pack.

east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

flying lotus und bonobo haben ihre vocals auf die landkarte gebracht, die faz machte ihr debütalbum 2010 zur platte der woche, musikjournalisten und kritiker jubelten weltweit. im mai erscheint nun endlich das längst überfällige zweite album *giants* der londoner künstlerin auf dem sie gekonnt soul, r&b und pop miteinander verschmelzen lässt. limitierte lp edition mit zusätzlicher 10 track bonus cd + mp3 downloadkarte!

dear madam, dear sir, ramona is ready to reveal yet another manmade mystery to humanity – *reframe* by benedikt frey. browsing through freys back catalogue, one thing has always been certain with every new record released – freys music has always been mystical, was working in different layers and has never been only a further development of the record before.

for some it might be kraftwerk, but for me, my favourite electronic pioneers are probably australias severed heads. they were so far ahead of the game that they had to invent a lot of the technology they used. inspired, playful, never boring and always sonically brilliant they pushed at the frontiers of electronic music more than most. by the late 80s they were pursuing a slightly more polished course and made a series of records that had the potential to reach a much larger audience. possibly because of their name they never quite managed that, but they had several big club hits, the dub versions of which crossed over into the nascent house scene. i am honoured that i am able to make the dubs of those three 12 inches from 1988 - 1990 available again.

a1 - the newness- combines dystopian sound landscapes with dubby atmosphere and whoopy beats. b side opens with - g.i.r.r engine-, reminiscent to -never engine-, one of cristian s best works up to date, blueprint of minimal techno with no additions. last but not the least, - box engine 124- slows speed down a bit and finishes the ep with dark and funky though spacey trip to another dimension.

after the big success of the first classic series by k alexi shelby, technorama is back and proud to present a new release by swedish rising techno producer santiago naura aka bleak. releases on delsin, secret sundaze, deeply rooted and his own driven label naura records have helped him establish himself as one of the new generation of techno producers to watch. swedens bleak is fast becoming an essential part of his countrys techno new school recognised for creating and pushing that vision that’s integral to transcending your experience into something inspiring. his personal style of techno is of the deep, hypnotic,hardware-based variety , that engulfs you and never lets you go. here you can find three brilliant mixes, a real package of hard driving, deep, raw and analog techno bombs, including a powerful remix by upcoming talent stefan vincent (traut, balans, dynamic reflection). hope you all will enjoy these. real head shakers!

after four years of parties and many years of clubbing and djing, yay has decided to make its own philosophy to offer music can be something tangible and lasting in time to come. for this reason yay is proud to announce the opening of their own label, only on vinyl, where groove after groove will try to make sure that all the passion and culture of this small, but at the same time, great way of underground electronic music, it can be achieved with an object that will never die. the first release leave 3 tracks from the young artist riccardo of imprints records. energetic music for all the different dance floors. enjoy it!

claudio coccoluto goes back to print with the dub records. after spending over a decade in hibernation the claudio coccolutos record label the dub comes back to life with a new disco tinged offering from the label boss himself and sets the tone for a full schedule ahead. claudio coccoluto is one of italys most famous musical sons, a dj, producer, radio and tv show host and music writer. he plays all over the world at clubs and festivals as well as for brands like mtv and peroni. using everything from the vintage sounds of chicago and detroit to the ultra modern music coming out of europe and everything else he hears around the world, claudio coccoluto is never afraid of experimenting with pioneering sounds and allowing others to be influenced by his never ending search for the next record.

from the lands that time forgot birdie is proud to bring you an ep of the highest quality from the artist currently know as causa. hailing somewhere from up in the hills on the border between deepest darkest east lancashire and west yorkshire (thats up north to you lot) causa joe is a long time friend of trevino marcus. joe is underground and a lover of proper house music and has never been interested in music trends (he is a fisherman for christ sakes). he has been making music under various guises for 15 years with an apparent 6 year gap to go fishing. he has had releases with 202/20 vision tusk wax and paper recordings to name but a few. as marcus and joe still meet regularly for a pie and a pint its no real surprise then that this ep of some of marcuss favourite music of joes has come to pass. enjoy.

sweet valley is nathan williams (wavves) and his brother kynan, two bongwater-soaked beat geniuses making rap instrumentals that feel like melted playstation games. mndr is a one-of-a-kind artist and songwriter versed in britney and breakcore in equal measure. put them all together with producer peter wade and dance 4 a dollar is the result, a darkly catchy cali masterpiece. sv chop up strip club 808s and woozy synths like they are reclaiming trip hop for the dj mustard era, while mndr explores the underbelly of radio songcraft, finding the creepiness inside champagne anthems and coating tales of teenage nihilists with rihanna-worthy ear candy. decay never sounded so sweet.

fresh from 1986, all time garage-house-afro crossover classic... absolutely timeless house anthem! need we say more? *ma foom bey* is one of those records, totally flawless, big in the dance everytime. stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead! as we said before, dropped on easy street in 86, edited by the legendary tony humphries & subsequently caned by 3 generations of dj s across the galaxy ever since. every home should have a copy of this, no collection is complete without it. a record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it is dropped on! shout out to easy street, %100 legit re-issue, re-master & re-press, essential wax!

more ultra rare disco-soul from the sunshine state! phillip wright only dropped 1 45 single under his own name on tk discos tiny dash label in 1976. long sought after & coveted by lovers of rare disco & modern soul *keep her happy* has never been reissued in its original 45 format, until now! often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly phillip never achieved the commercial success of his sister betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015! repressed, remastered & re-released in its original dinner 45 rpm format with all original dash records artwork intact in conjunction with joe stone / tk disco, miami fl.

joy adegoke und wim janssens aka joy wellboy sind seit jahren unzertrennlich, ein paar in leben und kunst. ihr zweites album wedding klingt so komplett und vielfältig, wie man sich ein popalbum 2015 nur wünschen kann: songwriting trifft crooning, elektrobeat kuschelt mit chanson, es gibt minnegesang auf der tanzfläche, herzzerreißende duette und engtanzballaden für die ewigkeit.

highly sought after 12 inch, that has never come out! limited pressing of these white label promos. rumored to be donnie tempo. see discogs for the $69 listing if you want an idea of how much people value this record. dont miss out on these last copies to ever be available.

we are proud to have dug out these two bomb tracks from the 90&#8242,s by manchester legend kid simmons. for some weird reasons these tracks were never released, but here we go now: 2 funky house bombs that will make you bounce and jump like there was no tomorrow. expect more to come from the archives of this man!

next amazing chelsea hotel by faster! be fast to get your hands on this one. comes again with an outstanding cover art. chelsea hotel never fails!

in many ways, val maira is the perfect kompakt record, albeit one that kompakt never made. until now

as a producer koss love for music was never caged in a singular style or genre.

classic arthur russell 7 inch from the depths of west ends vaults. timely remastered from the original tapes. this is a different version to the honest jons 12 inch released in 2003 with more moog bleeps and a slower tempo and has never been commercially available on vinyl (track run time 2:45). it also includes the uptempo freakout rare as hens teeth instrumental mix. original 7 inches going for up to £200 on discogs and only 12 people in the world showing they own a copy. this release never got passed promo stage at west end in 1980.

its mildly comical, that tim wagner and amy douglas, two former long islanders would choose sunrise hwy (former sunrise highway) as the name for their venture, but one listen to the music, and its clear as to why they chose such a lofty and expansive name. sunrise hwy is atmospheric, sophisticated, broad, and most importantly a return to the song as king.

it was very important for me to give a dub-ish colour to this ep and propose something different than what people already know from me.‘pressure feed’ is a tribute to all maurizio’s tracks which i never get bored listening or playing. regarding ‘water flood’, i wanted to produce something simple that stands far from the traditional 4/4 beat. i wanted to make it a break beat on the kick while bringing refined ambiance and atmospheric patches to it. finally, ‘cold atom’ is the result of a permanent rhythmic evolution that embodies the vision i have of an astral trip, both dub and intense.- yakine

new zealand based crate digger frank booker launches his new label, down in the basement, in typical understated yet highly classy fashion. what you get is four top quality booker jams that will grace any dance floor and which cross the boundaries of funk, disco, soul and house music. never one to over complicated things, fb cuts straight to the essentials of each track and rides them in the mix, while dropping his trademark dj friendly fx. essential stuff as ever from the man called booker

ilija rudman has a passion for disco, pure analogue disco at that with buckets of soul to boot.

limited 2015 repress
fresh from the release of their very first lp, here is an ultra rare repress coming from mid-nineties usa via one of the paris finest new labels, lazare hoche records. the bossman himself lazare hoche is an avid collector of rare house joints, and has a penchant for anything the truly epitomises the spirit of house music, raw, undiluted and full of funk. unlike some collectors who never reveal their secrets, lazare hoche decided to share his knowledge of those hard-to-find tracks of the past with this new release, and so acquired the license for three tracks by the cult duo nimbus quartet grouping them all together in a special vinyl-only reissue.

mega hypnotic minimal mixup between techno and house! cabinet records never fails. audio werner and daniel paul together on this amazing 2 tracker. almost 20 minutes playtime.

manu delago combines his mastery of the hang – a rare and enchanting instrument – with bold arrangements, irresistible melodies and multi-layered beats on his tru thoughts debut silver kobalt. the young austrian composer/multi-instrumentalist is highly in demand and has worked with björk, anoushka shankar and the cinematic orchestra. this ambitious lp brings his stunning solo project into the spotlight like never before, drawing influence from pop to the avant-garde and featuring guest vocals from isa kurz, anil sebastian and rahel.

wolfers incorporating uplifting, dreamy synth sequences alongside his instantly recognizable gritty floor-fillers. the title track is such a killer...future classic!

another all-time classic from the extensive back catalog of the legendary miami songstress gwen mccrae. 90% of me is you is instantly recognizable, it s been sampled countless of times by some of the most seminal hip hop artists ever (large professor, jaylib, mobb deep & more) & is a bonafide rare groove sure-shot that never loses its appeal & is always in demand with dj s & producers. perhaps its the pairing of the languid guitar & strings, or gwens sultry vocals & that steady breakbeat that keeps people hooked some 40 years after it s original release? whatever it is, its classic material from start to finish! backed here with its original b-side slow jam its worth the hurt this super-rare 45 has been re-mastered, re-pressed & brought back for 2015s dance-floors in conjunction & with the permission of t.k. disco / henry stone music, miami usa

yahshu is seeking something he has never heard before, bringing influences into his work from a huge spectrum. created using a combination of live strings, samples and synths, the three tracks on somebody elses dream invite the listener to witness a conversation of sound, as if one sound was asking a question and another answering it. what that conversation is, well let the listener decide. the ep was originally written 10 years ago but has since been developed and refined, finally coming to life through rysunku. yahshu is also the founder of rysunku. somebody elses dream is the first release on the label. rysunku releases innovative sound work in very limited numbered vinyl editions. somebody elses dream artwork by artist connie prantera and design by renowned art collec- tive tomato

lapalux neues album klingt beinahe zwanghaft inspiriert, sorgfältig und handgemacht und hebt sich damit deutlich von seinem vorgänger ab. lustmore basiert auf dem erlebnis eines vorübergehenden halb-traum halb-wach zustandes, den stuart howard mit seinen infektiösen rhythmen, einwickelnden texten sowie ungewöhnlichen melodien gekonnt inszeniert. die soundpalette für lustmore wurde akribisch ausgewählt und klingt so retro futuristisch, als wolle sie mit bladerunner oder 2001: a space odyssey mithalten. howard meint: whenever i think about the album i think about the bar scene in the shining. theres something about that strange, hallucinatory psychological madness that relates to the music, both in the making of the actual record and the way it sounds.
pressing on translucent orange & smokey marbled double vinyl, download code included.

first up here is kenloto, a chunky bit of bass driven house with crisp perc. it builds to a nice tense peak with lots of loose, jumbled textures and will make for a fine bit of peak time listening. the other original is whack, which is another tough house cut with firm bass, old school new jersey snare patterns and rolling drums that are rich, warm and rubbery. miguel lobo s remix is a more spritely thing with lithe chords, colourful synths and and a pent up energy that just never stops giving. closing out the fantastic package is paul c & paulo martini who remix kenloto into a trippy affair with ghoulish voices, hard hitting drums and lots of dark wave energy that will carry you late into the night.

the a1 was never a big surprise. mattias fridell s consumed for profit was one of the tracks of the year, and surely fridell s personal best track, and was played by anyone who at least plays a bit of techno in their sets. the usual fridell quality of standard and a tight synth line! a2 sees french artist electric rescue s quarries in the a. mochi remix. a peak-time banger, slapping the synth stabs right into your face. this one always gets the floor jumping. the b-side kicks off with label-head advance human s pure , stripping things down to some essential moody but slamming techno, right up there amongst his best productions. b2 has +platform s mosses closing things off, and as we came to know and love from +platform, it s out there, dubby and dreamy techno, born for those deeper berghainesque floors.

times are ruff with the next banger. funky and detroitesc house cutz. this guys never fail if it comes to serious house music.

peder mannerfelt is known as the subliminal kid and as part of roll the dice alongside his own releases on digitalis, we can elude control and stockholm ltd. here we find him collaborating with simon haydo (also well established on dem) for their first avian appearance with five intense, unnerving and varied tracks.

300 copies limited vinyl including tracks by italian duo third child & bauch including zavro remix.

strategy aka paul dickow is back on idle hands for an lp following last years *return from the stars* 12 inch. *seeds of paradise* finds strategy boldly firing experimental electronics and dub back into outer space. like his work for zam zam, kranky and his own community library label, this latest outing from the portland-based producer nestles deftly between roots influence and sci-fi leanings. the result is a glistening 40 minutes of sonic exploration, never simplistic but never obtuse, which will sit happily on the turntables of sofa loungers and adventurous djs alike.

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

hot on the heels of introducing a new chilean talent to the mos ranks with its last release, the dutch label starts another international affair for its mos deep offshoot: romanian andrew red hand. andrew, who has been called the romanian underground resistance, has a long history of djing and making detroit inspired techno and electro and across four tracks here, his analogue house with crisp drums and searing acid all burst out of the speakers and into your affections.

limited coloured 2x 12 vinyl

honey dijon has been part of the classic dna since day dot. a long-time friend to both derrick carter and luke solomon, honey has produced, remixed, dj’d and partied for and with classic for many years. although previously compiling a compilation for classic she has surprisingly never had her own release on the label. 2015 see’s honey releasing two separate eps on classic with both ‘’thundah’ and ‘burn’ being inspired by the classic 90’s nyc house music sound and produced in homage to honey’s friend frankie knuckles. the ep’s come backed with remixes from hnny, luke solomon, terrence parker and mark brydon all adding their own distinct flavour to honey’s concoctions. this exclusive double header vinyl ep release gives just a taste of what to expect

with their second catalogue number, the magic movement conjures with another outstanding debut ep: khronos by oceanvs orientalis. this one-man-orchestra from istanbul takes you on a mystical journey down the silkroad, where slow timeless jams meet hypnotic club killers. on percussive foundation, oceanvs orientalis mixes traditional eastern instruments and chants with house and techno, never leaving the dancefloor out of sight. by melting oriental history into modern beats, he creates a whole new sonic universe: contemporary eurasian dance music.

taking a few steps off it’s usual housy path, metereze presents a fresh new face and a more techno approach to dance music. it is melodie that signs the 4th installment and he is taking it deep into the realms of acid with 3 tracks that not only go well together but they are all meant to make you move in a big way.
acid sunday is as acidic as the name suggests it but in the end it’s the most poetic of the 3. the subtle pads are kinda dreamy but the 303 sounds make it super driving. on the same side we have rhythmico which is dark, percussive and powerful. subtle background bleeps complete the wandering synth that comes and goes but never really seems to go away.
housed on side b justa is a techno monster in its own right. sonically very close to the other two, this is by far the darkest track on this ep. and probably the strongest. techno infused house you may call it or whatever, this is the kind of track that puts you on a serious move whenever, wherever.